Monday, August 30, 2010

My Eeeeyyyyes On You

grass spider

If anyone knows me, they know my only fear is spiders. The reason this is my only fear is because no matter how many times I try to conquer it, it still haunts me every single time I encounter one. This time, I try to conquer the fear by trying to get some interesting shots of this guy, nestled by my fireplace.

Thursday, August 19, 2010

A Fighting Chance - Documentary



I just got some great news from one of the Directors, our film is now the second most popular on Hulu.com!! I would like to thank everyone for their support. The film will be available for preview for only one more week online. If you miss it, the television premiere will be on ESPN in November.

Get in touch with Kyle: http://twitter.com/kylemaynard

Directors: Takashi Doscher & Alex Shofner
Producers: Ted Leonsis & Rick Allen
Music by: Mike Dorsey
Camera Operators:
Ross Sebek
Curtis Harper
Ryan Moulton
Asher Emmanuel
David Torcivia
John Merizalde

Wednesday, August 11, 2010

Dumb and Dumber Trailer - Inception Style



I've seen plenty of trailer remakes, even done a few myself (would never post them online). When doing a remake, you really have to consider everything that goes into making a trailer. It is not just a few scenes slapped together. You must consider ambience, sound fx, transitions and storyline. Also you will find most good trailers have a voice overlay. One thing I really like is when someone remakes a trailer well, and also reconveys the genre. The Dumb and Dumber remake is one of the best I've scene (hehe).

Click here for the official trailer and info page for Inception (2010).

Friday, July 23, 2010

Carlos Ferragamo - Writing Rhymes Remix



I was contacted by Bronx native Carlos Ferragamo to shoot his latest music video, "Writing Rhymes Remix."

Credits:
Artist - Carlos Ferragamo
Director - Curtis Harper
Editor - Curtis Harper

Friday, July 16, 2010

Penny to return to the Heat?

tim hardaway jr.
Tim Hardaway Jr. - Curtis Harper/PPEG


Well, this isn't Photography related, and that's not Penny featured above; but it has been brought to the public that Anfernee "Penny" Hardaway would like to re-join the Miami Heat. He last played for the Heat in 2007, and was released the same year. I recently covered the All-Star game, which Tim Hardaway's son (above), "Hardaway Jr.," was in the starting line-up for Team Florida [to go to University of Michigan]. It was a great experience. Initially I got the two Hardaway's mixed up, but seeing as Penny Hardaway's son is 10 years old, I don't think he will be going off to college just yet.

Number 1 from the Orlando Magic of 1999 knows what his strengths and weaknesses are, it will be interesting to see how the Heat respond. It would be good to have a veteran on the team, but with a history with new head coach Erik Spoelstra, the offer may be tainted. Wishing you the best Penny.

Thursday, July 8, 2010

Wedding Photographer Checklist



When doing shoots where every shot counts, you want to be sure you have all areas covered. This Photographer had his covered by purchasing nice, weather-sealed gear. On a serious note, here is a quick checklist every Wedding Photographer should consider:

1) DSLR body (two in most cases)
- at least 3fps
- at least 8 megapixela
- ability to shoot high ISO with low noise
- weather-sealing is a plus

2) Lenses
- quality glass comparable to Canon's "L" series
- short focal length (prime or zoom from 16-135 range)
- long focal length (usually zoom at least through 200mm)

3) Memory
- at least three 8gb cards
- method of transferring files to hard drive before end of day

4) Lighting
- At least one off camera flash
- stand and umbrella
- gels
- model light for tough focusing situations

5) Batteries
- At least 2 camera batteries
- plenty of AA batteries (rechargeables are great)
- bring all of your chargers

6) Accessories
- light stands and tripods
- mounting accessories for any situation
- extension cord

Of course this is not a complete list, but a great starting point. Watch out for obsticles!

Monday, July 5, 2010

What flash to buy?


image by Mark (POTN)

Many first time DSLR users that end up taking the professional path soon realize that their second purchase will be an external flash. Though the on-camera units are becoming more and more powerful, they limit creativity and should only be used when it's the only option. The small but powerful flash can not be adjusted, excerpts a harsh, generally unfocused light and is mounted to a single location. But it's a flash, right? Why do you need an external flash? Here are a few of the common benefits:

- the ability to adjust the power output
- enables you to focus the light
- you can point the light at the optimal angle, which is not always directly at the subject
- more power when you need it
- the option to operate wirelessly
- increased battery life of your camera
- gives a strong fill light outdoors

Of course an external flash also has it's drawbacks:

- slow recycle time (grows smaller and smaller upon new releases; can be remedied by external battery pack)
- extra equipment to carry
- must buy extra batteries to power the flash (cheap)
- must shell out the cash (from $100 - $500)

As you can see the benefits make the drawbacks seem insignificant. Perhaps the most important aspect of making this type of purchase is simply that it allows you to shoot in situations that you originally could not. So which flash do you buy? The latest and greatest? Is old tech just as good as new? Do I need to get the manufacturer's flash unit or can I use a third party?

When considering your purchase, think about what your needs are. What are your plans in the future? Look for specifications like TTL, master/slave, tilt/swivel, recycle time, w/s (power output). These are all important when making your decision. As far as the brand, I like to stick with manufacturer's. Who knows their products better than them? However certain 3rd party flashes do offer good reviews, such as the Yongnuo YN-600. You will also find that 3rd party flashes are as much as 90% cheaper than the manufacturer's units. The thing that you do not want to do is purchase a flash from ancient times, as there may be voltage variances or other differences in the circuitry that may not match up with modern gear.

Manufacturer's units are expensive, but they are usually worth it. Take the 580exii for example. It is almost twice as powerful as the previous model, offers wireless control of other flashes, smaller increments of adjustment, faster recycle time and the list goes on. The price tag is hefty at $399, but many Photographers will greatly benefit from these features. Many 3rd party flashes offer slow recycle times and short battery life. This is ok for the at home Family Photographer, but not for the professional. These are simply tools for the job.

I always say if you are going to purchase, make an investment. Spend the money upfront rather than purchasing just to make an upgrade in the future. If you are serious about your craft, then it will pay off. With the rapid advancement of technology, and constant releases due to steady competition, it becomes easier to get the "previous model." The 430exii is an amazing flash, but we only said that until the 580 was released. Find out what you need and what you can afford, and always carry more batteries than you need.

For more information on individual flash models, check out http://speedlights.net/